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Michigan filmmaker travels to 195 countries to uncover stories of happiness

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  Michael Zervos broke the Guinness World Record for fastest time to visit all sovereign countries May 30.

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Michigan Filmmaker's Epic Quest: Traversing 195 Countries in Search of Happiness


In a world often overshadowed by headlines of conflict, economic strife, and environmental crises, one Michigan-based filmmaker has embarked on an extraordinary odyssey to shine a light on the universal pursuit of joy. Detroit native and independent documentarian Elena Vasquez, 42, has spent the last five years traveling to every single one of the 195 United Nations-recognized countries, capturing intimate stories of happiness from people across diverse cultures, landscapes, and socioeconomic backgrounds. Her ambitious project, titled "Global Smiles: The Happiness Atlas," culminates in a forthcoming documentary series and companion book that promise to redefine how we understand contentment in the modern age.

Vasquez's journey began in 2020, amid the global pandemic that forced much of the world into isolation. A former advertising executive turned filmmaker, she found herself grappling with personal loss—her father's passing—and a broader existential question: What truly makes people happy, regardless of their circumstances? "I was sitting in my Ann Arbor apartment, scrolling through endless news feeds of despair, and I realized that happiness isn't just a fleeting emotion; it's a story waiting to be told," Vasquez shared in an exclusive interview. Drawing inspiration from positive psychology pioneers like Martin Seligman and cultural explorers like Anthony Bourdain, she set out to document authentic narratives of joy, one country at a time.

The logistics of such a venture were daunting. Vasquez funded the project through a mix of crowdfunding campaigns on platforms like Kickstarter, grants from organizations such as the National Endowment for the Arts, and personal savings. She traveled light, often with just a backpack, a high-definition camera, and a notebook, relying on local guides, homestays, and public transportation to immerse herself in each destination. Over 60,000 miles flown, countless bus rides, and even a few hitchhiking adventures later, she completed her circuit in July 2025, returning to Michigan with terabytes of footage and a transformed worldview.

What sets Vasquez's work apart is its focus on the everyday rather than the extraordinary. In each country, she sought out ordinary individuals—farmers, teachers, street vendors, elders, and children—to ask a simple yet profound question: "What makes you happy?" The responses, as detailed in her project, reveal a tapestry of human experience that transcends borders. In Bhutan, the Himalayan kingdom famous for its Gross National Happiness index, Vasquez met a monk named Tenzin who described happiness as "the quiet acceptance of impermanence, like watching prayer flags dance in the wind." This encounter underscored Bhutan's unique approach to well-being, prioritizing spiritual fulfillment over material wealth.

Venturing into Africa, Vasquez's time in Kenya highlighted communal joy. In a Maasai village near the Serengeti, she filmed a group of women sharing stories around a fire, their laughter echoing through the night. "Happiness here is in the togetherness," one elder explained. "We dance, we sing, we share our burdens— that's our wealth." Contrastingly, in war-torn regions like Syria, where she navigated security risks with the help of local journalists, Vasquez uncovered resilience as a form of happiness. A young refugee in Damascus recounted finding solace in small acts, like brewing tea for neighbors amid rubble: "Even in darkness, a shared cup brings light."

Europe offered its own mosaic. In Finland, consistently ranked among the world's happiest nations, Vasquez explored the concept of "sisu"—a stoic determination. She interviewed a Helsinki resident who attributed her contentment to saunas and nature walks, emphasizing work-life balance. "We don't chase happiness; we build it into our days," she said. Meanwhile, in Greece, amid economic recovery, Vasquez captured the vibrancy of tavernas where music and meze foster social bonds. A fisherman in Crete shared, "The sea gives and takes, but gathering with friends at sunset—that's pure joy."

Asia's vast expanse provided some of the most poignant insights. In Japan, Vasquez delved into "ikigai," the reason for being. An elderly potter in Kyoto demonstrated how his craft brought daily purpose: "Happiness is in the clay under my fingers, creating something lasting." In contrast, the bustling streets of India revealed happiness through spirituality and family. In Varanasi, along the Ganges, a sadhu (holy man) spoke of inner peace amid chaos: "True happiness is detachment from desire, flowing like the river." Vasquez also visited remote areas in Mongolia, where nomadic herders found bliss in the simplicity of steppe life, herding yaks under endless skies.

The Americas were no less diverse. In Brazil's favelas of Rio de Janeiro, samba rhythms and community carnivals embodied joy as defiance against poverty. "We dance because life is short," a young dancer told her. Up north in Canada, Indigenous communities in British Columbia shared stories of happiness rooted in land stewardship and ancestral connections. Vasquez's home continent also included poignant stops in the United States, where she contrasted urban hustle in New York with rural tranquility in her native Michigan. Back home, she interviewed Detroit locals rebuilding their city, finding happiness in community gardens and revitalization efforts.

Oceania and the Pacific islands brought environmental themes to the fore. In New Zealand, Maori traditions emphasized harmony with nature, with one elder describing happiness as "whanaungatanga"—kinship with all living things. On the tiny atoll of Tuvalu, threatened by rising seas, residents spoke of resilient optimism: "Our happiness is in our songs and stories; the ocean may rise, but our spirit endures."

Throughout her travels, Vasquez encountered universal threads: the importance of relationships, purpose, gratitude, and mindfulness. Yet, cultural nuances painted a rich picture. In wealthier nations like Switzerland, happiness often tied to security and leisure, while in poorer ones like Malawi, it stemmed from resourcefulness and community support. She noted gender differences too—women frequently cited family and emotional connections, while men leaned toward achievements and autonomy.

Challenges abounded. Visa issues delayed her in several countries, language barriers required interpreters, and health scares, including a bout of food poisoning in Bolivia, tested her resolve. Political unrest in places like Myanmar forced itinerary changes, and the emotional toll of witnessing inequality was profound. "There were nights I cried myself to sleep, overwhelmed by the suffering I saw," Vasquez admitted. "But those moments made the stories of happiness even more powerful—they're beacons in the storm."

The project's output is multifaceted. The documentary series, set to premiere on streaming platforms in late 2025, features 10 episodes, each focusing on a region with interwoven narratives. The book, published by HarperCollins, includes photographs, transcripts, and Vasquez's reflections. Early screenings have garnered praise; psychologist Dr. Emma Rivera called it "a vital antidote to cynicism, reminding us that happiness is accessible everywhere."

Vasquez hopes her work inspires viewers to seek joy in their own lives. "Happiness isn't a destination; it's in the stories we share," she says. Returning to Michigan, she's already planning community workshops in Detroit to discuss global lessons on well-being. In an era of division, her journey underscores a hopeful truth: No matter where we are, the pursuit of happiness unites us all.

As Vasquez reflects on her five-year saga, one story stands out—a child in Afghanistan who, despite hardship, beamed while flying a handmade kite. "That kite soaring high—that's happiness," the boy said. It's a sentiment that echoes across 195 nations, proving that joy, in its myriad forms, is the world's most universal language.

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